Drama
Staged Narrative
The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy.
Adrienne Kennedy Reader
Introduction by Werner SollorsAdrienne Kennedy has been a force in American theatre since the early 1960s, influencing generations of playwrights with her hauntingly fragmentary lyrical dramas.
Friedrich G. Klopstock - Werke Und Briefe
This volume contains Klopstock's biblical dramas "Der Tod Adams" (The Death of Adam), "Salomo" and "David" from the years 1757, 1764 and 1772 respectively.
Letters from Linda M. Montano
This an anthology of writings provides an autobiographical record of Montano's artistic practice over the last thirty years, a collection of stories, letters, interviews, manifestos and other previously unpublished writings.
Black South African Women
The first anthology to focus on the lives of Black South African women. Includes the work of, and interviews with, award-winning and emerging authors. Contains 6 full-length and 4 one-act plays.
Approximate Bodies
Approximate Bodies' examines, in fascinating detail, the changing representation of the body in early modern drama and in the period's anatomical and gynaecological treatises.
The Drama Of South Africa
This text chronicles the development of dramatic writing and performance in South Africa from when the country came into official existence to the advent of post-apartheid.
Feminist Theatre Practice: A Handbook
A practical guide to theatre-making designed to take the reader through the stages of making feminist theatre. Organised into three instructive parts; Women in the Workshop, Dramatic Texts, Feminist Contexts & Gender and Devising Projects.
Legislative Theatre
The latest stage in the Boal project, this is an attempt to uses theatre within a political system to create a truer form of democracy. Includes a full description of the principles of Legislative Theatre and a description of the process in Rio.
No Man's Land
A collection of essays, memoirs and plays that represent an early attempt to assess and reassess the German Democratic Republic's theatre following the political events and turning points of 1989 and afterwards. Contributors include Christoph Funke, Carl Weber and Jost Herand.